He traveled around Europe and met David Bowie

(CNN) – Brad Miele America spent the summer of 1984 exploring Europe on the train with his Sony Walkman to his ears.

The days were spent exploring Paris’s music stores and evenings showcasing the nightlife in Berlin by Miele’s favorite music.

Miele’s mother also toured Europe that summer, but while she was choosing five -star hotels and exploring the city’s famous landscapes, Miele and her brother stayed at hotels. and spent their days wandering the side streets, searching for the remains of their favorite painters. .

For Miele, who grew up in New Jersey, David Bowie is the top musician, the British singer -songwriter. Its walls were painted with Bowie paper. He also took photographs of a man named Ziggy Stardust. Bowie is Miele’s hero – and living in Europe, Bowie’s music is even better.

“I can only remember walking around the small cities of Europe, listening to David Bowie, looking at the record boxes,” Miele, now 53, told CNN Travel today. .

One evening, while they were living in the UK, Miele met her brother and her mother for dinner. He stayed at the Savoy Hotel on Strand, a large London street lined with cinemas and bars.

Miele was in high Bowie style that night: a wide -brimmed silver hat that featured a double -breasted blazer, backpack, scarves and bow tie. At his feet, he wore a red Oxfords, in honor of Bowie’s “Let’s Dance” words: “Put on your red shoes and dance the blues.”

“I’m looking for that David Bowie, London vibe,” Miele said.

After dinner, Miele went out at night alone. His attention was immediately drawn to an alley near the Savoy, where several people had gathered.

Mielle said it was strange for her to remember now, but she recalled thinking: “David Bowie was definitely there.”

He walked down the street to the Victorian Savoy Theater.

“I almost felt like he was doing it,” Miele said now. “Maybe nothing else. Then, I immediately saw David Bowie climbing a water pipe, over a crowd of people.”

Miele seemed to have wandered the length and breadth of Europe with Bowie’s voices in his ears. Now, the man behind the song is only yards in front of him.

Going into the picture

Bowie is in the middle of filming a music video, “Jazzin ‘for Blue Jean,” a 21 -minute feature film featuring the single “Blue Jean.” In it, Bowie plays two characters: gawky Vic, who is trying to seduce a girl, and Screaming Lord Byron, a Bowie-esque rock star.

Miele recalled that some barricades were set up to stop passers -by in the shooting, but that ten or more people were allowed to watch the film, even though they would not be disturbed. .

In “Jazzin ‘for Blue Jean,” there’s a time when Bowie, Vic, tries a water pipe, trying to break into a night house.

“I came to shoot that scene, which they do a lot [Bowie’s] twice, “said Miele.

Every time the boss changes to a real Bowie. Miele stood to watch in disbelief.

Things became clearer when one of the crew approached Miele and asked if he wanted to be new for the rest of the shooting.

“I was about to die,” young Miele wrote in her diary the next day.

He was instructed to go after Bowie in some of the shots outside the team. In the video, he can be seen when Bowie buys tickets from a scalper – he says he was the man in the hat who was walking behind Bowie between 10:54 p.m. me 10:56.

“I think I’m just the crowd they grabbed and dragged and separated,” Miele said today.

She puts this on her costume, thinking that her Bowie-esque style is the perfect match for the beauty of the film.

Miele was there for the next few hours, filming, watching and stealing his music video.

Meeting with the hero

When “Jazzin ‘for Blue Jean” ended, the fourth wall was broken. The viewer can see the film’s crew, and Bowie breaks the character, questioning the outcome of the film.

Writing in Empire Magazine in 2016, video director Julien Temple said the incident came on the last night of filming. The team knew the light was starting, so they came up with a meta effect on the fly.

Miele doesn’t remember seeing that conversation, so she wondered if she had been there on the last night of the movie, rather than the last day. The last scenes he saw were in the Savoy Theater, which was housed in the Bosphrous Rooms, where Bowie’s Screaming Lord Byron played in the video.

At the end of the film that evening, the team members and teams opened their beers and turned to talk. That’s when Miele made an effort to talk to Bowie.

“I could have done it quickly, but I knew I was kind of nervous,” he said now. “I think I said 20 words to him.”

Miele thinks some of the words may be related to Bowie’s album “Low” in 1977, which was one of Miele’s favorites, but not now.

Miele also remembers having Bowie’s photograph, but it has been lost for four years.

Miele returned to her guest house at 6:30 am Later that day, with a sad face, she wrote about the encounter with her picture in her journal.

“He was like a normal man,” Miele wrote.

“He was a kind person in the conversations I saw of him,” Miele said today. “And he was kind to me, and I think he was very nice.”

“I think you showed me the side of it that you don’t just see musicians, don’t you? Just to see someone interact with the world in six or seven hours. interesting features. “

Later that year, the video “Jazzin’ for Blue Jean ”began on MTV. Miele’s European tour was long over, and she watched the film for the first time at her best friend’s house in New Jersey. Later, he bought the video at Betamax, an early video game platform, so he could watch it whenever he wanted.

In 1985, “Jazzin ‘for Blue Jean” won a Grammy for best music video.

Going unnoticed

Today, Miele remains a member of the Bowie family, even though he has cut back on his dress as he did a few years ago.

When Bowie passed away in 2016, Miele surprised himself with his heart when he heard the news.

“I really thought so,” he said.

Shortly after Bowie’s death, and in the years that followed, Miele found himself contemplating a trip to Europe, to meet his image and all that had happened in his life. since then.

For Miele, the story symbolizes the importance of going to the unknown on your daily journey, even when you don’t know what awaits you.

“Not many people do that, and keep their heads straight, look ahead, or,” he said. “But if you don’t go out in the open, you’re never going to get things like this.”

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